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Princess Ida
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Princess Ida

Princess Ida - 1997

Season: Autumn 1997

Dramatis Personae:

King Hildebrand:
Ted Benedict
Hilarion:
Brian Clickner
Cyril:
Gordon V. Penniston
Florian:
Jonathan Mobley
King Gama:
James Caffrey
Arac:
Tracy Burdick
Guron:
Stephen M. Gullo
Scynthius:
Jad Jordan
Princess Ida:
Kathy Perconti
Lady Blanche:
Pamela Good
Lady Psyche:
Lynette Blake
Melissa:
Jane Fondiller
Sacharissa:
Tracy Paradis
Chloe:
Amanda Lobaugh
Ada:
Beth Holliday
The Courtiers at the Palace of King Hildebrand:
Terry Badger, Terry Benedict, Peter Scott Dunbar, Michael Fedyk, David Holliday, Daniel Mark, David Odgers, Sean D. Taylor, Bob Weeks
Students at Castle Adamant:
Cynthia Brone, Rhonda Callard, Karen P. Conway, Lilah Crews-Pless, Barb DiGiulio, Shannon Fedyk, Julie Ferreira, Nancy A. Galletto, Isabele T. Henry, Beverly Hess, Jordu Kelly, Patricia A. Montrois, Kathy Moore, Deborah A. Moriarty, Paula Ranney, Barbara Savage, Laurel Schneiderman, Debra Schulman

Production Staff:

Artistic Director:
Jean Gordon Ryon
Musical Director:
janice m. rich
Assistant Director:
Bob Weeks
Producers:
Jad Jordan, Amanda Lobaugh
Costume Coordinator:
Brian Smith
Original Costume Design:
Sarah Freeman
Set Coordinators:
Tracy Burdick, James Caffrey
Lighting Coordinator:
Michele Denber
Property Coordinator:
Bodie McCaffrey
Publicity Coordinators:
Julie Ferreira, Paula Ranney
Artwork:
Alexandra Carlo
House Manager:
Byron Wilmot
Rehearsal Pianist:
Robert Blake

Director's Notes:

I was recently asked, why do Princess Ida today? As a satire on the issue of women's education, is it not politically incorrect, and horribly dated as well?

Princess Ida is not truly a satire of women's education. The operetta was based on an epic poem by Tennyson, and is first and foremost a spoof of that poem. Within the show, the satire is free-floating and good-natured. Everyone gets mocked in Princess Ida: women, men, royalty, Darwin, the military. Arac's songs are parodies of Handel, and the character of King Gama is based on Gilbert himself.

The few moments in the show which are not meant to be funny belong to Ida herself. With all the zaniness around her, Ida is treated quite seriously. Her songs are beautiful, operatic, inspiring, and moving. She is an admirable person --- but she is an extremist. She believes that women cannot achieve their true potential unless they separate completely from men. This issue is at the heart of Princess Ida and of Tennyson's poem: not the question of women's education, but the problem of balance in relationships between the sexes. How do married couples manage two careers? How much does each partner have to give up to stay connected to the other? These are the questions raised for our generation by Ida's story. Unfortunately, Princess Ida won't answer these questions --- but will provide a pleasant, tuneful space of time for meditating on them.


Photos by Katherine M. O'Donnell

Princess Ida 1997 a  Princess Ida 1997 b  Princess Ida 1997 c  Princess Ida 1997 d

Princess Ida 1997 e  Princess Ida 1997 f  Princess Ida 1997 g  Princess Ida 1997 h

Princess Ida 1997 i  Princess Ida 1997 j  Princess Ida 1997 k

Princess Ida 1997 l

Princess Ida 1997 m  Princess Ida 1997 n

Princess Ida 1997 o  Princess Ida 1997 p  Princess Ida 1997 q

Click on the thumbnail for the full-sized picture

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Last updated: 01/11/08